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A Fabric Story 400 Years in the Making: Meet Heirloom

Reproduction Fabrics

New in the shop

An Heirloom Story,
Stitched Through Time

There is always a story behind the fabric—and this one takes us back more than 400 years.

Have you heard the term Indiennes?

Indiennes is the French term for the washable painted, dyed, and printed cotton piece goods that originally came from India. Their beautiful colors, intricate florals, and remarkable printing techniques would have an enormous influence on European textile design.

From India to Europe

These printed cottons began arriving in Europe as part of the valuable East Indies trade in the early 1600s. At first, they represented only a very small portion of that trade. It is estimated that in 1643, only 80–100 lengths were sold in England.

But tastes were changing.

By around 1650, the East India Company was requesting designs with lighter backgrounds and flowers more familiar to English buyers. The fabrics became enormously fashionable, particularly among wealthy consumers.

In fact, they became too popular for England’s competing textile industries.

Wool and linen merchants pressured Parliament for restrictions on imported and printed cottons, resulting in a series of restrictions and prohibitions during the 18th century. France experienced a similar struggle as its wool and silk industries sought protection from the increasingly popular printed cottons.

Palampores were a regular feature of the eighteenth-century chintz trade to Europe, where they were prized as wall hangings and bed and table coverings. They typically show a central flower-and-fruit-bearing serpentine tree emerging from a hillock with stylized peaks or rocks.

The Printers of Marseilles

Meanwhile, the southern French port of Marseilles became an important center for printed cotton.

Printers and traders, including craftsmen displaced from Persia, established workshops there and reproduced designs inspired by the cottons arriving from India. As a free port, Marseilles occupied a special position in this growing textile trade.

These fabrics and their European interpretations didn’t remain in Europe. England and France also sent printed cottons onward to their colonies in the New World.

The designs evolved, tastes changed, and printing methods developed—but the influence of those early Indian cottons continued for generations.

Now in the shop

Heirloom

A beautiful new collection by Jeanne Horton for Windham Fabrics.

Heirloom includes especially good reproductions that bring to mind those wonderful early printed cottons.

Margo particularly likes the Signature prints. The design is available in four different colorways, and both the scale of the print and the colorations make these fabrics especially appealing for reproduction quilts.

Jeanne Horton describes the spirit of the collection beautifully:

“When I think of Heirloom, I think lasting, classic and passing the test of time.”

That’s exactly what we love about these fabrics. They feel collected rather than new—prints that can settle comfortably into a reproduction quilt alongside fabrics from many different collections.

Heirloom is now in the shop! We have yardage and bundles, along with two Log Cabin prints and a FREE downloadable Log Cabin pattern for a little extra inspiration.

SHOP HEIRLOOM

Come explore Heirloom and take a closer look at the Signature prints. It’s another wonderful example of how the designs we stitch with today can connect us to centuries of textile history.

Happy Stitching,

Margo & the Reproduction Fabrics Team

Fabric of a bygone era.

reproductionfabrics.com